Thomas Wells Photography |
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Biography I got my first camera when I was about 10, but I really didn't start to get serious about photography until I was in high school. Of the tens of thousands of photos I've taken, most were taken in and around the rolling hills and forests of central Connecticut, which I have always called home. I enjoy the natural world and spend time hiking, kayaking and sailing. I also have a passion for travel, which I seem to do far too seldom. It seems natural to bring a camera along and try to capture that which inspires and find a way to convey that inspiration to others in the form of a printed photograph. Never having any formal training in photography or the arts, I learned what I know about art and composition by looking at pictures and deciding why some work, and why others don’t. Subjects that interest me are the natural, light, water, the old and the ancient, rather than the glitz of modern society. For me, photography is
mostly about exploration and discovery. I love
to wander, especially in unfamiliar places, not
knowing what lies beyond the next corner or over the
next ridge. Though sometimes I plan to be in a
certain place at a certain time, much of the process
is happenstance and improvisation, not
previsualization. The most interesting discoveries are
often made during the journey, rather than at the
destination. Planning creates opportunity.
What happens then is a mixture of luck, observation,
and realization of what’s before me may be worth
recording. There is discovery in familiar places too. It never ceases to amaze me that no matter how many times I visit the same places near home, there are things overlooked in past visits waiting to be discovered. Nature's ceaseless change presents a new landscape with every visit. Changes happen from year to year, day to day, sometimes minute to minute. A visit in the afternoon is different than a visit in the morning. Photographer Gallan Rowell spoke of unexpected convergence, when several elements come together in an unexpected way, creating a new whole that is greater than the sum of its parts. It may be finding a particular angle for a shot that creates a juxtaposition of several elements of a scene in the frame, or exploiting a particular angle or quality of light that results in a composition that presents something greater than just the components of the image. At other times, an image can be very fleeting, just a few seconds as clouds move across a landscape, momentarily highlighting a subject to provide focus and propel it from the ordinary to the extraordinary. Composition can also be a subtractive process, by finding a perspective that removes unnecessary elements that distract a viewer's focus, reducing a subject to its essence. A little mystery can draw the viewer in to explore an image. Something hinted at, but not obvious or shown. Something beyond the door, around the corner, or obscured in the mist. Thomas Wells ©
2025 |